Movie Review: Salt
Despite a pretty ludicrous plot, “Salt” is pretty fun the whole way through. Jolie great and the action set pieces are fantastic.
Mike Smith is the Lead Critic and an Associate Editor for FlickSided.com. He currently resides in the San Francisco Bay where access to good films is abundant. When not watching or reviewing film, he can be found rooting for Bay Area sports teams (especially the San Jose Sharks). Mike can be contacted at Mike@According2Mike.com or http://twitter.com/mikesmith89.
Despite a pretty ludicrous plot, “Salt” is pretty fun the whole way through. Jolie great and the action set pieces are fantastic.
Too poorly executed to resonate emotionally – even on the most superficial level.
Christopher Nolan’s latest head-trip is getting a lot of love from both critics and the general public. So, naturally, one has to wonder: will it get some love from The Academy as well?
Warner Bros. has released a thirty-four page online comic book, “Inception: The Cobol Job.” The free comic acts as a direct prologue to the film.
The less one knows boarding this conceptual rollercoaster, the wilder the ride will be. See this movie. And then, see it again.
Cholodenko allows her characters to exist in the real world. Jules and Nic should be the poster-couple for non-traditional marriage, not because their relationship is perfect, but because it’s imperfect.
It’s impossible not to be affected by the tearful recollections of battles in which a soldier loses a close friend. The scenes in which the filmmakers capture combat with impossible intimacy are frightening and exciting, but also sobering.
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Jay and Mark Duplass provide a unique and effective picture whose excellence is especially welcome during a summer brimming with lame, cookie-cutter productions.
The series’ third director, David Slade, brings an unexpected directorial competency to the “Twilight” universe. Unfortunately, his talent as a director can only go so far, and his abilities are crippled by the matierial with which he’s given to work.
All of these men could do much better than “Grown Ups”; their friendships with Sandler being the only possible explanation for their appearing in this movie. Strangely, though, the chemistry they must share off-screen is nowhere to be seen in this atrocity.
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“Sex and the City 2″ is an arrogant, self-absorbed, superficial and completely incompetent attempt at feature-length filmmaking. It’s time for Carrie and company to hang up the vintage Dior for good.
This chapter in the “Shrek” series serves as a totally conventional fairy tale, which is a deadly for a series that has built itself on skewering the familiar.