Maxance Vincent
About Maxance Vincent
Maxance Vincent is a freelance film and TV critic, and a recent graduate of a BFA in Film Studies at the Université de Montréal, with a specialization in Video Game Studies. He is now currently enrolled in a graduate diploma in Journalism. You can follow him on Twitter @MaxFromQuebec.
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Scott Derrickson flexes his genre-loving muscles with Black Phone 2, repurposing the cloistered setting of the 2022 original for a more aesthetically and thematically exciting entry in the now-franchise.
Thanks to an expert sense of craftsmanship and a commanding lead performance from Austin Butler, Darren Aronofsky seemingly apologizes for The Whale with his adrenaline fueled, anxiety-riddled Caught Stealing, and makes his best film in years.
While it suffers from a few familiar narrative beats, Disney's Elio dazzles with its artful animation and poignant dramatic underpinnings.
With The Life of Chuck, Mike Flanagan once again touches upon the work of Stephen King with a profoundly affecting, often devastating, movie, encouraging audiences to live their best possible lives.
While Straw has three terrific performances from Taraji P. Henson, Teyana Taylor, and Sherri Shepherd, Tyler Perry may have bitten off more than he can chew.
While Shadow Force lacks in compelling action sequences, it more than makes up for its aesthetic inconsistencies with two highly entertaining performances from Omar Sy and Kerry Washington at its core.
While Nicolas Cage shines in a role that fully displays his kookiest strengths, the overall picture of Lorcan Finnegan's The Surfer isn't as entertaining, or as weird, at is should.
Despite screenwriting inconsistencies, Gareth Evans draws a compelling actioner in the back half of Havoc, filled with the most staggering visual poetry of the year.
While The Amateur does not reinvent the wheel, its assured sense of style and magnifying performance from Rami Malek elevate the spy thriller genre.
Freaky Tales cements Anna Boden and Ryan Fleck in the pantheon of the best directing duos working today with a no-holds-barred celebration of what makes genre cinema so great.